Saturday, July 22, 2017

One Piece - Greeen


(All rights belong to their owners. Images used here for review purposes only.)

Not exactly sure what this is about. The back side of the poster shows some One Piece-related activities and photo spots, and the front says that this is something happening at Tokyo Tower on the last Saturday of the month between April and December this year. I'm not in Tokyo, so I can't check this out, and there's nothing on Greeeen in English on the net.




Friday, July 21, 2017

The 7 Shakespeares, Non Sanz Droict, vol. 1



(All rights belong to their owners. Images used here for review purposes only.)

The 7 Shakespeares, Non Sanz Droict, by Harold Sakuishi, Grade: B
Given how big a splash the original 7 Shakespeares manga made, and the fact that Harold is the creator of Beck and Gorillaman, it's surprising to me that there's absolutely nothing on it in English.  The basic idea for the first series (2009-2011) is that what the world now knows as "William Shakespeare" was originally a 7-person team that worked together to create "Shakespeare's" plays. I haven't read that series. I was given a copy of the sequel, Non Sanz Droict (Big Comic Spirits, 2016-), (Shakespeare's family motto - "not without right") and that's why I know anything about this title at all.


(Lance always puts his back into his tasks, and loves raising face plants.)

We have Lance Carter, Milu and Lee riding in a carriage from Liverpool to London in 1588. The coach gets stuck in a muddy rut, and the diminutive Milu and the gung-ho Lance push it out of the mud simply because Lance can't wait anther hour to meet his destiny. Inside the coach is Lee, a weak young woman bundled up in blankets. They reach London, where Lance's friend, Worth Hughes, has purchased a house at the outskirts. Milu acts as cook and housekeeper, while Lance drags Worth to one of the bigger, newer theaters to watch a stage play. Lance has written his next work, Odette, and he attempts to approach the theater's owner to get him to read the manuscript. The problem is, the owner gets several scripts a day from would-be playwrights and other country bumpkins, and he's not interested. Lance interrupts the guy's romp with a girlfriend to blackmail him into reading Odetto. Unfortunately, he hates it and sets it on fire with a candle. The current star writer in London is Christopher Marlowe, and the theater owners are all focused on his latest hit, The Jew of Malta. Lance's play doesn't even come remotely close to being at the same level.


(Everyone's a critic. No, really, they all are.)

Lance refuses to give up, as he goes to every single theater in the city, even the worst dumps, and gets rejected from all of them. He then focuses on studying The Jew of Malta to figure what he's doing wrong. At the same time, he makes the acquaintance of Thomas Soap, a disfigured door to door book seller who used to attend Cambridge, and has memorized many of the books from its library. He's a walking encyclopedia, and he ends up telling Lance about an older Italian story that no one has turned into a play in English, yet. Lance decides to adapt the Italian story, which also features an underhanded Jewish moneylender. But, between him and Lee, the moneylender becomes more human than Marlowe's rendition (Lee writes his big "do we not bleed" speech), and Lance changes the title naming pattern to The Merchant of Venice.


(The crowd loves Marlowe.)

Along the way, Lance finds a wishing fountain and tosses in a coin to pray for success in London, only to have a young boy, Cain, wade into the pool to scoop out all the change to use for buying alcohol for his father. The guy's a mean drunk, and the boy is hoping to protect his mother, Ann, from one of his rages if he doesn't have something to drink in the evening. Lance gives him a bigger coin as a gift so he doesn't have to resort to stealing from the fountain. Ann finds the boy, and she's got bruises on her face. The air is cold and she's under-dressed. Lance gives her his mantle (actually it's Worth's) to keep her warm, which turns out to be a very bad move. When Ann gets home, her husband goes into a rage, accusing her of cheating on him, selling her body in return for nice clothes. He smashes her up really badly, then threatens to kill her when he gets back from the latrine. Cain grabs his mother's arm and drags her out of the house and to Lance's mansion. Lance gladly accepts both of them, to Worth's horror (they're burning through money and his one attempt to find a job from a friend was a failure because the friend had just lost all his money when the ship that had his cargo on it sunk in a storm).


(We finally get to see Lee's brand.)

The volume ends with Lance fixating on starting his own theater, where he can stage Merchant of Venice himself. His crew consists of: Lance, the playwright. Lee, a mysterious Chinese woman in ill-health and with an "x" branded on her throat, who may end up laying Portia, and is Lance's co-writer. Worth, a London dandy that keeps claiming to not understand anything about theater, but he is good-looking and is a charismatic narrator. Milu, the midget housekeeper that has a dramatic streak a mile wide and is dying to play the part of Shylock. Cain, the street urchin might be the one handling door duties and hanging out fliers. Thomas Soap, the bookseller that Lance is using as source material and is not currently an official part of the troupe. And Ann, the abused housewife; she's inept and clumsy, bad at housework, cooking and bringing food to the table, but she turns out to be a heaven-blessed lute player.



Summary: The artwork is very good, and the character designs are solid and consistent. It's just that the idea of turning a one-man historic figure into a 7-person ensemble cast is a very Japanese concept of a subservient team working for the good of the group, versus the western importance of strong individualism. I'm having a lot of trouble buying into the concept. But, I do like the historical realism feel of the buildings and theater designs. If you like 1500's England, and don't mind people messing with Shakespeare's legend, then I recommend Non Sanz Droict.

Thursday, July 20, 2017

Tatami Busters




I found this old Ghost Busters artwork on the closed shutters of a tatami shop recently. I've been in this area before, but never when the shop was closed for the day. I have no idea what it has to do with tatami, though...

Who you gonna call?
There's no phone number anywhere.


Wednesday, July 19, 2017

Sea Breeze Promo Event




Sea Breeze, the body fragrances company, had an advertising campaign in the open space in Tenmonkan in front of the Lotteria burger shop, on July 15. To be fair, the event wasn't supposed to start until 2 PM, and I got there at 1:30. But still, it's pretty vacant.





What do you do when you announce you want to sell over-priced body care products and no one shows up?

Tuesday, July 18, 2017

TSOJ enters year 10


When I first sat down to start writing up this entry, on the occasion of TSOJ wrapping up another year in Japan, I was thinking that there really wasn't much to mention this time. Yes, I did have a great trip to Wisconsin to visit family for a few weeks in August. And yeah, there was that kidney stone in November, plus having to spend a night in the hospital after having a polyp removed. Then we had great, though, sporadic live music events, culminating in the Ohara dance fest, the Kagoshima Music Fest and Rokugatsu-gou. I haven't been as active making things this year, though, and Gakken has been pretty much dead as far as new science kits releases go. I've been reading some good science and math books in English, including one on the Riemann Hypothesis, Martin Gardner's Colossal Book of Mathematics, and Simon Singh's 1999 The Code Book. But, not so much for manga. Mainly just the latest C.M.B. and Q.E.D. iff volumes, and one volume each of Area 51 and Ajin. I missed most of the Ohara matsuri, and Ogionsa was practically deserted last year (this year's Ogionsa won't be until July 27th).

Otherwise, I've been pretty much keeping busy with keeping busy. Oh, and um, I tried running webcomicsinterviews.com for 6 months, but I never got the reader interest from that that I wanted, so it's on hiatus now. And, we got a 5.0 earthquake in Kagoshima the morning I began writing this entry. That was rather scary, but it didn't cause any serious damage to any of the buildings in the city.

Now, we get to see what year 10 brings.

Monday, July 17, 2017

Rokugatsu-tou, July 16, 2017




Day 2 was pretty much like day 1, except that the event stage didn't have any professional acts (except maybe for YOKO at 6:45 PM, who I missed) this time. I had an early dinner at home, then left to visit Terukuni shrine at 7 PM. I did record a few of the acts, but mainly for my own personal video collection, because they were either a little too amateurish, or used copyrighted material; regardless, most of the videos wouldn't survive on youtube. The exceptions were the below folk dance, and the taiko group. One thing I did differently, though, was to sit through all of the performances to figure out what exactly is going on. What I finally figured out is that in general we have cultural schools, or dance groups, that perform for 3 or 4 songs each, but that usually there are smaller teams within those schools that are on stage for one song each. Above, you can see the announcement board for Tago Ryuu (Tago may be a city name, ryuu = school). the performer is doing a slow traditional dance for "Rikishi Taiko" (Sumo drum).



The Ka Fura Oka Aina hula group.



Yamabuki Kai (kai = association) doing storytelling dances. 1) Muhoumatsu no Isshou (The Life of the Lawless Pine). There's a big write-up of this play in Japanese on wikipedia, but not in English.



Yamabuki-kai 2) Suika (Drunk song). The woman is portraying a dandy who has a night out on the town drinking sake.



Yamabuki-kai 3) Ryuten no Hatoba (The Life on the Wharf).



Rokudou Ryuu 3) Kagoshima Hitomawari (To go around Kagoshima). Traditional style slow dance.



Actor's Factory. This one needs a bit of an explanation. The group consisted of three school kids, the female lead singer and two brothers doing hip hop dancing in the background for all 3 songs. The second song, pictured here, was a solo - Kokoro no Hana wo Sakaseyou (The Flower of My Heart is Blooming). The hip hop dancing was marginal, and the songs were copyrighted covers.



NPO Organization Ranranran doing flamenco dances.






Yamada Jazz Dance School. Again, copyrighted music, one of which was Nickelback's "Burn it to the Ground," which I think the same group also did last year.

And yet one more festival that finished way too quickly. Sigh. Next up, Ogionsa, at the end of July.

Direct youtube link for part 1


Direct youtube link for part 2

Sunday, July 16, 2017

Rokugatsu-tou, July 15, 2017




I've been waiting for Rokugatsu-tou (or Rokugatsu-gou depending on which dialect you use), the celebrations of the anniversary of the death of Kagoshima's favorite Edo-era feudal lord, Nariakira Shimadzu. It's a two-evening festival that starts at 6 PM and runs until 9-10 at night. Although, the live stage activities go from 6:30 to 830-9 PM depending on how well they keep to the schedule. Every year is pretty much the same. There are the food, drink and novelties booths lining the street leading up to Terukuni Shrine. In the parking lot they have the lanterns made by school kids and advertising the various companies that support the event, an ikebana (flower arranging) display, and the stage. All that really changes from year to year are the performers on the stage.



It's a little after 6 PM at this point, and I'd estimate that there's easily 1,000 people crowding the street between the food stalls.



Some of the banner lanterns. Most are pretty childish and not worth taking pictures of. A couple are really good, but one or two of the photos were ruined because the clear plastic over the paper reflected the blue of the sky, flooding out the images underneath.



A long-shot of the ikebana tents, just to give an impression of what the layout looks like.



Closer shots of the more interesting arrangements.







If you look at the back of the base of the above arrangement, you'll see one of the participants.





The traditional bamboo hoop. Couples going through the hoop three times in a figure-8 will have a long romantic life together



Cat daruma.





The live stage, with one of the two Taisho Goto groups. AKA the Taisho harp, it's basically a cross between a typewriter keyboard and a guitar. Each player gets associated with one or two notes, and everyone together ends up making the full song. Kind of like with a bell ringer group.



Most of the performances are put on by amateur groups, culture clubs and dance schools. The exceptions were on Saturday with Seven Colors, which does work professionally as a pop idol dance ensemble, and Wicky Toshi (below).



Seven Colors, Kagoshima's version of AKB48. They aren't all that good normally, but they were plagued by an inept sound guy this time. The sound guy kept adjusting the mike levels wrong all evening, and there was howling feedback whenever anyone sang.



Wicky Toshi and Kana. Wicky owns the Wicky House bar and live stage a few blocks away, and loves covering the Japanese group Southern All-Stars. He's fun to watch, but because he covers copyrighted music, there's no point in uploading anything to youtube because the songs get hit by the filter blocks.

Direct youtube link